Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra's 'Il Gattopardo: VII. No. 21 - Amore e ambizione' had a release date set for 1997. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Nino Rota - Musica E Sogno". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United States. The popularity of Il Gattopardo: VII. No. 21 - Amore e ambizione is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Gattopardo: VII. No. 21 - Amore e ambizione by Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gino et Sophie - From Deux hommes dans la ville | Philippe Sarde | E Minor | 2 | 9A | 85 BPM | ||
Il Gladiatore | Hans Zimmer, Luciano Pavarotti, Bulgarian Symphony Choir, Stefano "Tellus" Nanni, Bulgarian Symphony Orchestra, Rob Mathes | E Minor | 4 | 9A | 84 BPM | ||
The Windmills of Your Mind | Antonio Rossi & His Orchestra | E Minor | 2 | 9A | 140 BPM | ||
Hellé - Générique dèbut | Philippe Sarde | F Minor | 2 | 4A | 101 BPM | ||
Ritornello dell’intervista | Nicola Piovani | B Minor | 5 | 10A | 113 BPM | ||
Nocturne No. 20 in C-Sharp Minor, B.49, Op. posth. - 1980 recording | Frédéric Chopin, Władysław Szpilman | D♭ Minor | 1 | 12A | 66 BPM | ||
The Long Walk Home | Francis Lai | A Minor | 3 | 8A | 75 BPM | ||
Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
Midnight in Moscow | Osipov State Russian Folk Orchestra | E Minor | 2 | 9A | 80 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 1. Allegro non troppo e molto maestoso - Excerpt | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | D♭ Major | 3 | 3B | 78 BPM |