Wolfgang Amadeus Mozart, Maria João Pires's 'Piano Sonata No. 7 in C Major, K. 309: III. Rondeau (Allegretto grazioso)' came out on January 1, 1991. Since Piano Sonata No. 7 in C Major, K. 309: III. Rondeau (Allegretto grazioso) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Maria João Pires's "Mozart: Piano Sonatas K.309, K.332 & K.570" album is number 3 out of 9. Based on our statistics, Piano Sonata No. 7 in C Major, K. 309: III. Rondeau (Allegretto grazioso)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 7 in C Major, K. 309: III. Rondeau (Allegretto grazioso) by Wolfgang Amadeus Mozart, Maria João Pires to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: No. 6 in A-Flat Major(Allegretto) | Franz Schubert, Maria João Pires | A♭ Major | 0 | 4B | 85 BPM | ||
Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Schumann: Kinderszenen, Op. 15: No. 5, Glückes genug | Robert Schumann, Maria João Pires | D Major | 2 | 10B | 104 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, London Symphony Orchestra, Valery Gergiev | E Major | 0 | 12B | 83 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
Nocturne No. 8 in D-Flat Major, Op. 27, No. 2 | Frédéric Chopin, Maria João Pires | D♭ Major | 0 | 3B | 62 BPM | ||
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
Violin Concerto No.4 In D Major, K.218: 2. Andante cantabile (Cadenza By Robert Levin) | Wolfgang Amadeus Mozart, Robert Levin, Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | A Major | 1 | 11B | 96 BPM | ||
7 Fantasies, Op. 116: No. 1, Capriccio in D Minor | Johannes Brahms, Emanuel Ax | F Major | 3 | 7B | 156 BPM |
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