On August 1, 2002, the song "Poems of 1917, Op. 41: VIII. The Battle. Allegro e molto appassionato" was released by Leo Ornstein, Marc-André Hamelin. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Ornstein, Marc-André Hamelin's "Leo Ornstein: Piano Music" album is number 11 out of 29. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Poems of 1917, Op. 41: VIII. The Battle. Allegro e molto appassionato is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Poems of 1917, Op. 41: VIII. The Battle. Allegro e molto appassionato by Leo Ornstein, Marc-André Hamelin to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Poems of 1917, Op. 41: I. No Man's Land. Andante espressivo | Leo Ornstein, Marc-André Hamelin | E Minor | 0 | 9A | 72 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Berceuse, Op. 12, no. 3 | José Rolón, Argentina Durán | G Major | 3 | 9B | 94 BPM | ||
The Seasons, Op. 37a: No. 10, Autumn Song (Arr. for Piano Trio by Louis Eaton) | Pyotr Ilyich Tchaikovsky, Christoph Croisé, Andrey Baranov, Alexander Panfilov | A Major | 4 | 11B | 119 BPM | ||
Janáček: On an Overgrown Path, Book I: No. 3, Come With Us! | Leoš Janáček, Mikhail Rudy | E Major | 0 | 12B | 77 BPM | ||
Préludes, Book 2, CD 131: III. La puerta del vino | Claude Debussy, Lívia Rév | F Minor | 0 | 4A | 67 BPM | ||
Lyric Pieces Book 9, Op. 68: No. 5, At the Cradle | Edvard Grieg, Stephen Hough | B♭ Major | 0 | 6B | 58 BPM | ||
7 Virtuoso Etudes After Gershwin: No. 3, The Man I Love | Earl Wild, Carlos Manuel Vargas | F Minor | 2 | 4A | 66 BPM | ||
Impresiones intimas: 2. Planys II | Federico Mompou, Alicia de Larrocha | A Minor | 0 | 8A | 141 BPM |