"O Fürstin! (Tannhäuser)" by Max Lorenz, Orchester Der Staatsoper Berlin, Käthe Heidersbach was released on August 22, 2006. Since O Fürstin! (Tannhäuser) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 15 out of 33. In terms of popularity, O Fürstin! (Tannhäuser) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Fürstin! (Tannhäuser) by Max Lorenz, Orchester Der Staatsoper Berlin, Käthe Heidersbach to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Clarinet No. 2 in E-Flat Major, Op. 74: I. Allegro | Carl Maria von Weber, Alberto Lizzio, North German Philharmonic Orchestra, Alexander Ivanov | A Major | 2 | 11B | 80 BPM | ||
Die Walküre, WWV 86B, Act I Scene 3: Siegmund heiß ich, und Siegmund bin ich (Live) | Richard Wagner, Max Lorenz, Bayreuth Festival Orchestra, Joseph Keilberth | F Major | 1 | 7B | 124 BPM | ||
Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
The Sleeping Emperor | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | B Major | 0 | 1B | 132 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
世界名曲:天鵝湖 | 蔡榮吉, 李淑雲, 吳爾笠 | C Major | 2 | 8B | 160 BPM | ||
I Miss You Sometimes | Ria Mbanefo | B♭ Major | 2 | 6B | 134 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Was sie besaß, sie gab es hin [Ogni Suo Aver Tal Femmina] | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Anneliese Müller/Karl Christian Kohn/Manfred Schmidt /Josef Metternich/Wilhelm Lang/Chor Der Deutschen Staatsoper/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock/Walter Stoll, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | D Minor | 4 | 7A | 98 BPM | ||
Il Pirata, Act I: Parlarti ancor per poco | Vincenzo Bellini, Felice Romani, Javier Camarena, Franco Vassallo, Marina Rebeka, Sonia Fortunato, Gustavo de Gennaro, Antonio Di Matteo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM |
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