Radoslaw Pallarz, Dirk Altmann, Hanno Dönneweg, Gaby Pas-Van Riet, Anne Angerer, Wolfgang Wipfler's 'Julius und die Gladiatoren: Domum' came out on November 15, 2019. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Radoslaw Pallarz, Dirk Altmann, Hanno Dönneweg's "Julius und die Gladiatoren" album is number 13 out of 13. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Julius und die Gladiatoren: Domum is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Julius und die Gladiatoren: Domum by Radoslaw Pallarz, Dirk Altmann, Hanno Dönneweg, Gaby Pas-Van Riet, Anne Angerer, Wolfgang Wipfler to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
And There Was Light | Matthew Coleridge, Rupert Gough, Southern Sinfonia, Maxim Calver | C Major | 0 | 8B | 82 BPM | ||
I Drink Alone | Bret Williams | C Minor | 1 | 5A | 109 BPM | ||
Ephesiaka: Ephesiaka | Radoslaw Pallarz, Yulia Drukh | E Minor | 0 | 9A | 133 BPM | ||
Cecilia: Molto vivo e con fuoco | Licinio Refice, Federico Romano, Orchestra del Teatro Carlo Felice, Jochen Rieder | C Minor | 2 | 5A | 74 BPM | ||
Hjerte | Marcel Barsotti | D Minor | 0 | 7A | 71 BPM | ||
Chi non sempre perde Suite | Alessandro Rustici | D Minor | 1 | 7A | 85 BPM | ||
Petit Mari, petite Femme | Santec Music Orchestra | E♭ Major | 1 | 5B | 84 BPM | ||
Echoes | Selena Veles | G Minor | 0 | 6A | 171 BPM | ||
Prélude à l’après-midi d’un faune, CD 87 (Arr. for Octet by G. Steele Johnson) | Claude Debussy, Graeme Steele Johnson, Ji Weon Ryu, Han Lash, Bora Kim, Rachel Loseke, Matthew Cohen, Yun Han, Kohei Yamaguchi | F Minor | 2 | 4A | 140 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM |
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