On August 18, 2021, the song "Gran Pieza Histórica No. 19, Capitulación de Valladolid" was released by José Antonio Gómez, Antonio Barberena. With Gran Pieza Histórica No. 19, Capitulación de Valladolid being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 44 in Alba Patria: Música del Ocaso Novohispano y la Independencia de México by Antonio Barberena. Going off of the ISRC code of this track, we detected that the origin of this track is from Mexico. The popularity of Gran Pieza Histórica No. 19, Capitulación de Valladolid is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gran Pieza Histórica No. 19, Capitulación de Valladolid by José Antonio Gómez, Antonio Barberena is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Allegretto en La menor (Segundo movimiento de la 7 Sinfonía de Beethoven en La mayor op. 92) - Filarmónico Live | Puerto Candelaria, Orquesta Filarmónica de Bogotá, Teatro Mayor Julio Mario Santo Domingo | E Minor | 4 | 9A | 96 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in A Minor, RCT 5 (Arr. for Accordion by Janne Valkeajoki): IV. Les trois mains | Jean-Philippe Rameau, Janne Valkeajoki | A Minor | 2 | 8A | 70 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
Aram Khachaturian: Waltz Masquerade | Progress Chamber Orchestra, Paweł Nowak | G Major | 2 | 9B | 67 BPM | ||
Sonatina in C, Op. 792 No. 8: II. Andante | Ben Quine | C Major | 1 | 8B | 168 BPM | ||
Variaciones Rusas | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | E♭ Major | 3 | 5B | 140 BPM | ||
Señora Vaca - versión de acordeón | Señora Vaca, La Vaca Lola | B Major | 3 | 1B | 100 BPM | ||
Beethoven Bagatelle 33 No2 | Sir Johann Charles | C Major | 1 | 8B | 108 BPM | ||
Vino, donne, canto | Strauss, Kramer, Gorni Kramer | B♭ Major | 4 | 6B | 98 BPM | ||
Frosty Sonnet | James Harrison Orchestra | G Major | 5 | 9B | 132 BPM |
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