György Kurtág, Berlin Philharmonic Wind Quintet's 'Wind Quintet, Op. 2: VI. Grave, ma con slancia' came out on May 31, 1994. With Wind Quintet, Op. 2: VI. Grave, ma con slancia being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 31 in the song's album "Szervanszky / Orban / Ligeti / Kurtag: Wind Quintets". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Sweden. Wind Quintet, Op. 2: VI. Grave, ma con slancia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wind Quintet, Op. 2: VI. Grave, ma con slancia by György Kurtág, Berlin Philharmonic Wind Quintet having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
Intimate Sketches: No. 13, Lord Jesus Christ is Born | Leoš Janáček, Olena Kushpler | B♭ Major | 1 | 6B | 99 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Keyboard Sonata in F Minor, K. 466 - Upright Version | Domenico Scarlatti, Julius Asal | F Minor | 0 | 4A | 82 BPM | ||
Játékok V, 25, Farewell to Pál Kadosa | György Kurtág, Pedro Alcalde | A Minor | 0 | 8A | 137 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | ||
Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | ||
Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Prelude | William Alwyn, Ashley Wass | E Minor | 0 | 9A | 170 BPM |
Section: 0.7874367237091064
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