Francesco Paolo Tosti, Giuseppe Di Stefano, Gian Maria Guarino's 'La serenata (Version for Voice & Orchestra)' came out on June 2, 2015. The duration of La serenata (Version for Voice & Orchestra) is about 3 minutes long, at 3:01. Based on our data, "La serenata (Version for Voice & Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Singers of the Century: Giuseppe di Stefano "Parlami d'amore Mariù" - An Italian Song Recital (Remastered 2015)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. La serenata (Version for Voice & Orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La serenata (Version for Voice & Orchestra) by Francesco Paolo Tosti, Giuseppe Di Stefano, Gian Maria Guarino having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Last Rose of Summer | Friedrich von Flotow, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | F♯ Major | 1 | 2B | 72 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Carmen: Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | ||
Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Una voce poco fa | Gioachino Rossini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | E Major | 1 | 12B | 100 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella"" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 85 BPM | ||
Lasciami! Lascia ch'io respiri (Quattro canzi d'amaranta) - Michael Rot | Francesco Paolo Tosti, Ben Heppner, Members Of The London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM |
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