"Tito Manlio, RV 738, Act I, Scene 11: II. Bramo Stragi, e son Trafitto" by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone was released on November 2, 2005. With Tito Manlio, RV 738, Act I, Scene 11: II. Bramo Stragi, e son Trafitto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi: Tito Manlio by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone. The song's track number on the album is #27 out of 94 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Tito Manlio, RV 738, Act I, Scene 11: II. Bramo Stragi, e son Trafitto is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Tito Manlio, RV 738, Act I, Scene 11: II. Bramo Stragi, e son Trafitto by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Tito Manlio, RV 738, Act I, Scene 11: II. Bramo Stragi, e son Trafitto being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Solomon, HWV 67: The Arrival Of The Queen Of Sheba | Georg Friedrich Händek, Robert Haydon Clark, Consort of London | B♭ Major | 3 | 6B | 120 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM |
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