Wolfgang Amadeus Mozart, Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, John Eliot Gardiner's 'Piano Concerto No. 7 in F Major, K. 242 "Lodron": III. Rondeau (Tempo di menuetto)' came out on January 1, 1999. Piano Concerto No. 7 in F Major, K. 242 "Lodron": III. Rondeau (Tempo di menuetto) is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner's "Mozart, W.A.: The Piano Concertos" album is number 9 out of 71. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Piano Concerto No. 7 in F Major, K. 242 "Lodron": III. Rondeau (Tempo di menuetto)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 7 in F Major, K. 242 "Lodron": III. Rondeau (Tempo di menuetto) by Wolfgang Amadeus Mozart, Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, John Eliot Gardiner to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | D Major | 1 | 10B | 96 BPM | ||
Symphony No. 34 in C Major, K 338: III. Allegro vivace | Wolfgang Amadeus Mozart, Philharmonia Orchestra, Michael Collins | G Major | 3 | 9B | 80 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Piano Concerto No. 27 in B-Flat Major, K. 595: 2. Larghetto - Live | Wolfgang Amadeus Mozart, Mitsuko Uchida, Cleveland Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
Oboe Concerto in C Major, K. 314: II. Adagio non troppo - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | F Major | 0 | 7B | 83 BPM | ||
Der Stein der Weisen, Act I: Dialogue (1) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Kevin Deas, Jane Giering-De Haan, Judith Lovat, Paul Austin Kelly | A Minor | 4 | 8A | 120 BPM |
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