"12 Études, W. 235 (1953 Version): No. 1, Études de arpeges" by Heitor Villa-Lobos, Andrés Segovia was released on August 18, 2017. The duration of 12 Études, W. 235 (1953 Version): No. 1, Études de arpeges is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. 12 Études, W. 235 (1953 Version): No. 1, Études de arpeges's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 81 in the song's album "Segovia & Contemporaries, Vol. 11: Rio de la Plata Guitarists". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Canada. Based on our statistics, 12 Études, W. 235 (1953 Version): No. 1, Études de arpeges's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Études, W. 235 (1953 Version): No. 1, Études de arpeges by Heitor Villa-Lobos, Andrés Segovia having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: 1. Villano y Ricercare (Adagietto - Andante moderato) | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 103 BPM | ||
Histoire du Tango: 2. Café 1930 | Astor Piazzolla, Jian Wang, Göran Söllscher | E Minor | 1 | 9A | 82 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
Chants d'Espagne, Op. 232 - Córdoba | Isaac Albéniz, Thibault Cauvin | D Minor | 1 | 7A | 120 BPM | ||
Sor: 24 Exercices très faciles, Op. 35: No. 22 in B Minor | Fernando Sor, Turibio Santos | B Minor | 1 | 10A | 116 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM |
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