Heinrich Isaac, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine's 'A la bataglia - Arr. for Flute Quartet' came out on January 1, 1998. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 20 in Armonia di Flauti: Bach, Vivaldi (Arr. for Flute Quartet) by Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, A la bataglia - Arr. for Flute Quartet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of A la bataglia - Arr. for Flute Quartet by Heinrich Isaac, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Ego Flos Campi | Oxford Camerata, Jacob Clemens non Papa | F♯ Major | 0 | 2B | 139 BPM | ||
Motet (Choralis Constantinus): Circumdederunt me | Heinrich Isaac, Jordi Savall | F Major | 1 | 7B | 72 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
O vos omnes | Tomás Luis de Victoria, Choir of St. Ignatius Loyola, Kent Tritle | C Minor | 1 | 5A | 69 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Pueri concinite | Jacobus Gallus, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 87 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM |
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