Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Magdalena Kozená, Simon O'Neill's 'Katya Kabanova, JW I/8, Act III Scene 1: "Pssst! Pssst! Zdá se, že je to on!"' came out on February 23, 2024. With Katya Kabanova, JW I/8, Act III Scene 1: "Pssst! Pssst! Zdá se, že je to on!" being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill, Katarina Dalayman, Andrew Staples, Ladislav Elgr's "Janáček: Katya Kabanova" album is number 12 out of 32. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Katya Kabanova, JW I/8, Act III Scene 1: "Pssst! Pssst! Zdá se, že je to on!" is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Katya Kabanova, JW I/8, Act III Scene 1: "Pssst! Pssst! Zdá se, že je to on!" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Magdalena Kozená, Simon O'Neill to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 58 BPM | ||
Rondo in A Minor, K. 511 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Minor | 1 | 7A | 130 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Almira Suite, HWV 1: IV. Sarabande | George Frideric Handel, Francesco Corti, Il Pomo D'oro | E Major | 3 | 12B | 200 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Moderato in A Minor for Cello and Piano, Op. 40a | Dmitri Shostakovich, Emmanuelle Bertrand, Pascal Amoyel | E♭ Major | 1 | 5B | 96 BPM | ||
Andante Spianato: Tranquillo | Frédéric Chopin, Idil Biret, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | G Major | 0 | 9B | 61 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM |
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