"Viola Concerto in C Minor, Op. 25: II. Andante cantabile" by York Bowen, Doris Lederer, Czech Philharmonic Chamber Orchestra, Paul Polivnick was released on January 1, 2005. Since Viola Concerto in C Minor, Op. 25: II. Andante cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Bowen, Y.: Viola Concerto, Op. 25 / Viola Sonata No. 2 by York Bowen, Doris Lederer, Paul Polivnick. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Viola Concerto in C Minor, Op. 25: II. Andante cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Viola Concerto in C Minor, Op. 25: II. Andante cantabile by York Bowen, Doris Lederer, Czech Philharmonic Chamber Orchestra, Paul Polivnick is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces for Violin and Piano from "Much Ado About Nothing", Op. 11: I. The Maiden in the Bridal Chamber - Version for Violin and Piano by Erich Wolfgang Korngold | Erich Wolfgang Korngold, Svetlin Roussev, Yeol Eum Son | D♭ Major | 2 | 3B | 178 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Morceau de concours, L. 117 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Ciclo brasileiro, W374: No. 2, Impressões seresteiras | Heitor Villa-Lobos, Carlos Manuel Vargas | D♭ Minor | 2 | 12A | 94 BPM | ||
String Quartet, Op. 56 "Voces intimae": II. Vivace | Jean Sibelius, Vertavo String Quartet | D Major | 0 | 10B | 71 BPM | ||
8 Memories in Watercolor (2002 Version): No. 4, Blue Nun | Tan Dun, Ralph van Raat | C Major | 2 | 8B | 184 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Will Tomorrow, I Wonder, Be Cloudy or Clear? | Toru Takemitsu, Laura van der Heijden, Jâms Coleman | B♭ Major | 0 | 6B | 72 BPM | ||
Violin Sonata No. 6 in G Minor, Op. 103: II. Andante sostenuto | Robert Fuchs, Hyejin Chung, Warren Lee | E♭ Major | 1 | 5B | 86 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM |
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