Pyotr Ilyich Tchaikovsky, Jan Vogler, Andrés Orozco-Estrada made "Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation I. Tempo della Thema" available on March 4, 2016. With Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation I. Tempo della Thema being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 16 in the song's album "Tchaikovsky". In this album, this song's track order is #4. Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation I. Tempo della Thema is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation I. Tempo della Thema by Pyotr Ilyich Tchaikovsky, Jan Vogler, Andrés Orozco-Estrada having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
Fantasiestücke, Op. 73: No. 3, Rasch und mit Feuer | Robert Schumann, Emanuel Ax, Yo-Yo Ma | A Major | 1 | 11B | 74 BPM | ||
Grieg: Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Truls Mørk, Håvard Gimse | D♭ Major | 1 | 3B | 121 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
Piano Quartet No. 2 in G Minor, Op. 45: IV. Finale (Allegro molto) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: II. Allegro | César Franck, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 91 BPM | ||
Suite for Violin and Orchestra: I. Pastorale. Andante quasi Allegretto | Frederick Delius, Tasmin Little, Andrew Davis, BBC Philharmonic Orchestra | E♭ Major | 2 | 5B | 69 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35 (Arr. T. Dokshizer & P. Merkelo for Trumpet, Piano & String Orchestra): I. Allegro moderato | Dmitri Shostakovich, Jae-hyuck Cho, Paul Merkelo, Russian National Orchestra, Hans Graf | D Major | 5 | 10B | 140 BPM | ||
Franck: Cello Sonata in A Major: I. Allegretto ben moderato | César Franck, Daniel Müller-Schott/Robert Kulek | F♯ Minor | 0 | 11A | 63 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM |
Section: 0.6677393913269043
End: 0.6712896823883057