Carmen Suite No. 1: Entr'acte (Act III) - Georges Bizet, Berliner Philharmoniker, Herbert von Karajan Information

Acousticness: 93%
Danceability: 25%
Energy: 10%
Instrumentalness: 0%
Liveness: 4%
Loudness: 64%
Speechiness: 4%
Valence: 16%
Popularity: 18%
Loudness: -21.465 dB

Summary

"Carmen Suite No. 1: Entr'acte (Act III)" by Georges Bizet, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2007. The duration of Carmen Suite No. 1: Entr'acte (Act III) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Carmen Suite No. 1: Entr'acte (Act III)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 14 in Bizet: Suites "Carmen" & "L'Arlésienne" / Offenbach: Barcarolle; Overture "Orpheus in the Underworld" by Georges Bizet, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Carmen Suite No. 1: Entr'acte (Act III)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmen Suite No. 1: Entr'acte (Act III) BPM

The tempo marking of Carmen Suite No. 1: Entr'acte (Act III) by Georges Bizet, Berliner Philharmoniker, Herbert von Karajan is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Carmen Suite No. 1: Entr'acte (Act III) Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Brandenburg Concerto No. 4 in G Major, BWV 1049: 2. Andante	Johann Sebastian Bach, Michel Schwalbé, Karlheinz Zoeller, Matthias Rütters, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	1	6B	118 BPM
Capriccio Espagnol: Alborada	Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden	A Major	4	11B	126 BPM
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	C Minor	0	5A	140 BPM
Gaîté parisienne: Tempo di marcia	Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	3	6B	130 BPM
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo	Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle	F Major	1	7B	137 BPM
Tosca / Act 2: "Vissi d'arte, vissi d'amore"	Giacomo Puccini, Leontyne Price, Giuseppe Taddei, Wiener Philharmoniker, Herbert von Karajan	A♭ Major	1	4B	76 BPM
Pelléas et Mélisande, Op.80: 1. Prélude	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	1	9B	134 BPM
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin)	Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean	C Major	1	8B	133 BPM
Symphony No.4 In E Minor, Op.98: 2. Andante moderato	Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan	B Major	0	1B	69 BPM
Má Vlast, JB1:112: 2. Vltava	Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan	E Minor	1	9A	78 BPM

ISRC: DEF057002903
Label: L-M Records/RCA Records

Section: 0.7988748550415039

End: 0.8037779331207275