On 1998, the song "ツェルニー100番 練習曲(上) 50番アレグロ・ヴィーヴォ" was released by ジョン・オコーナー. With ツェルニー100番 練習曲(上) 50番アレグロ・ヴィーヴォ being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ツェルニー 100番 練習曲(上), so we believe that "ツェルニー100番 練習曲(上) 50番アレグロ・ヴィーヴォ" is a single. The popularity of ツェルニー100番 練習曲(上) 50番アレグロ・ヴィーヴォ is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of ツェルニー100番 練習曲(上) 50番アレグロ・ヴィーヴォ by ジョン・オコーナー is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25-9 狩り | 杉元 太 | D Major | 3 | 10B | 90 BPM | ||
Album for the Young, Op. 39: No. 16. Old French Song (Melodie antique francaise) | Pyotr Ilyich Tchaikovsky, Luba Edlina | G Minor | 0 | 6A | 120 BPM | ||
La Voix Du Coeur "The Voice of the Heart" (Arr. C Ferreira) | Henri Van Gael, Christopher Ferreira | F Major | 1 | 7B | 148 BPM | ||
Petzold: Bach's Menuet in G Major, BWV Anh. 116 | Christian Petzold, Fingal Grünbauer | G Major | 4 | 9B | 149 BPM | ||
Max | Anikata | A Major | 0 | 11B | 100 BPM | ||
5 Lieder, Op. 105 (Excerpts Arr. K.H. Schütz for Flute & Piano): No. 1, Wie Melodien zieht es mir | Johannes Brahms, Karl-Heinz Schütz, Maria Prinz | A Major | 0 | 11B | 68 BPM | ||
Albert Punozi | Albert Punozi | C Minor | 2 | 5A | 153 BPM | ||
Resplandor Nocturno | Velqui | E♭ Major | 2 | 5B | 120 BPM | ||
Huit Nocturnes, Op. 368: No. 8 in B-Flat Major | Carl Czerny, Isabelle Oehmichen | B♭ Major | 0 | 6B | 67 BPM | ||
Wolfgang Amadeus Mozart / Oboe Concerto in C Major, K. 314: II. Adagio non troppo | Lisa Spector, Barbara Midney | F Major | 0 | 7B | 77 BPM |
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