"Catalina: Overture" by Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey was released on March 1, 2008. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Salieri: Overtures and Ballets, Vol. 1 - Armida / Daliso E Delmita / Pafio E Mirra Ossia I Prigionieri Di Cipro / Der Rauchfangkehrer". In this album, this song's track order is #17. Catalina: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Catalina: Overture by Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hebrides (Fingal's Cave), Op. 26, MWV P 7 | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Symphony No. 50 in D Minor, Op. 10, No. 5: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Minor | 2 | 7A | 76 BPM | ||
La passione di Gesu Cristo: Part I: Recitative: Ingratissimo Pietro (Pietro) | Antonio Salieri, Melba Ramos, Franziska Gottwald, Florian Mock, Hanno Müller-Brachmann, Cologne Musicus Choir, Neue Orchester, Christoph Spering | C Major | 0 | 8B | 84 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Bassoon Concerto in F Major, RV 485: I. Allegro | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | F Major | 1 | 7B | 97 BPM | ||
Symphony in D Major | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | A Major | 1 | 11B | 118 BPM | ||
Trio No. 1 in G Major: I. Minuetto | Antonio Salieri, Italiano di Fiati | G Major | 0 | 9B | 132 BPM | ||
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM |
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