"Wien Bleibt Wien" by Die Kirmesmusikanten was released on 1993. The duration of Wien Bleibt Wien is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Wien Bleibt Wien's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 20 Jahre Kirmesmusikanten, so we believe that "Wien Bleibt Wien" is a single. In terms of popularity, Wien Bleibt Wien is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wien Bleibt Wien by Die Kirmesmusikanten is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sailors Love | Christa Behnke | G Minor | 6 | 6A | 132 BPM | ||
Koekoekswals | Gilde Duo | C Major | 6 | 8B | 197 BPM | ||
El Condor Pasa | John Woodhouse | E Minor | 4 | 9A | 146 BPM | ||
Träume Aus Eis | Orchester Marc Alpina | F♯ Major | 6 | 2B | 120 BPM | ||
In Manuel's Taveerne | Willy Schobben | B Major | 6 | 1B | 183 BPM | ||
Greensleeves | Die Kirmesmusikanten | E Minor | 8 | 9A | 172 BPM | ||
Sierra Madre | Mr. Blue | B♭ Major | 4 | 6B | 131 BPM | ||
La Cucaracha | Die Kirmesmusikanten | D Minor | 7 | 7A | 125 BPM | ||
Op weg naar het altaar | Anneke Gronloh | B♭ Major | 2 | 6B | 174 BPM | ||
De Vrouw Achter De Man Achter Het Stuur | Henk Wijngaard | F Major | 6 | 7B | 103 BPM |
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