"Pełnia for Rhodes piano, string orchestra and electronics: III" by Sławomir Kupczak, Piotr Orzechowski, AUKSO Orkiestra Kameralna Miasta Tychy, Marek Moś was released on November 22, 2019. With Pełnia for Rhodes piano, string orchestra and electronics: III being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Works for Rhodes Piano & Strings by Piotr Orzechowski, AUKSO Orkiestra Kameralna Miasta Tychy, Marek Moś. The song's track number on the album is #4 out of 7 tracks. Based on our data, Poland was the country where this track was produced or recorded. Pełnia for Rhodes piano, string orchestra and electronics: III is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Pełnia for Rhodes piano, string orchestra and electronics: III by Sławomir Kupczak, Piotr Orzechowski, AUKSO Orkiestra Kameralna Miasta Tychy, Marek Moś has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pełnia for Rhodes piano, string orchestra and electronics: III being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Timpani Quintum: III. Moto perpetuo (Solo for Five Timpani) | Maya Badian, Mircea Badian | A♭ Major | 2 | 4B | 105 BPM | ||
Fatima Intro (Arr. for Baroque Ensemble by Eric Vloeimans and Tineke Steenbrink) | Eric Vloeimans, Holland Baroque Society | D Minor | 0 | 7A | 83 BPM | ||
Père-Lachaise | Claudio Constantini | B Minor | 1 | 10A | 77 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043 (Arr. Janoska Ensemble): I. Vivace | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
Universe Chaos | Hermanos Ferrando | D Major | 2 | 10B | 92 BPM | ||
Mediterráneo: III. Como un Espejo | Graciela Jiménez, Matías Villafañe, Dora De Marinis | G Major | 0 | 9B | 80 BPM | ||
Todo Início Carrega um Pouco do Fim | Anabel Santana, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Les Tecchler | Matthias Bartolomey, Klemens Bittmann, BartolomeyBittmann | C Minor | 0 | 5A | 108 BPM | ||
Engagement | Lauri Porra, Dalia Stasevska, Lahti Symphony Orchestra, Markus Hohti | A Minor | 2 | 8A | 84 BPM | ||
Handstands | Jay Wadley | C Major | 1 | 8B | 71 BPM |
Section: 0.6581625938415527
End: 0.6635491847991943