"Solemn Vespers of a Confessor, K. 339: V. Laudate Dominum" by Cantillation, Orchestra of the Antipodes, Sara Macliver, Brett Weymark was released on May 13, 2016. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "My First Mozart Album" album is number 6 out of 18. Based on our statistics, Solemn Vespers of a Confessor, K. 339: V. Laudate Dominum's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Solemn Vespers of a Confessor, K. 339: V. Laudate Dominum by Cantillation, Orchestra of the Antipodes, Sara Macliver, Brett Weymark to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jubilate Deo: I. Jubilate Deo... | Rivertree Singers Festival Chorus, Rivertree Singers, Warren Cook | D Major | 3 | 10B | 146 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Castor et Pollux, Act V, RCT 32 (1754 Version): Act V Scene 5: Tendre amour, qu'il est doux de porte tes chaines (Castor, Chorus) | Jean-Philippe Rameau, Jeffrey Thompson, Cantillation, Orchestra of the Antipodes, Antony Walker | G Major | 4 | 9B | 73 BPM | ||
God Be in my Head | Henry Walford Davies, Salisbury Cathedral Choir, Simon Lole | A Major | 2 | 11B | 78 BPM | ||
Spotless Rose | Ola Gjeilo, Jennifer Halliday, Lucy Hole, Alexandra Meakem, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 79 BPM | ||
God That Madest Earth and Heaven | The Choir of Trinity College, Melbourne, Michael Leighton Jones | G Major | 1 | 9B | 76 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria) | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 139 BPM | ||
Jesu, the Very Thought of Thee | Edward Bairstow, York Minster Choir, Philip Moore | E♭ Major | 0 | 5B | 78 BPM | ||
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM |
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