Tylman Susato, New London Consort, Philip Pickett made "Dansereye (1551): Fanfare (after 'La Morisque', arr. Pickett)" available on January 1, 1993. The duration of Dansereye (1551): Fanfare (after 'La Morisque', arr. Pickett) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Dansereye (1551): Fanfare (after 'La Morisque', arr. Pickett)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Susato: Dansereye 1551". In this album, this song's track order is #1. The popularity of Dansereye (1551): Fanfare (after 'La Morisque', arr. Pickett) is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dansereye (1551): Fanfare (after 'La Morisque', arr. Pickett) by Tylman Susato, New London Consort, Philip Pickett having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dansereye (1551): Danse de Hercules oft maticine/De Madrigale | Tylman Susato, New London Consort, Philip Pickett | F Major | 0 | 7B | 141 BPM | ||
Danserye: Basse danse: No. 7. Entre du fol | László Czidra, Tylman Susato, Camerata Hungarica | C Major | 2 | 8B | 122 BPM | ||
Dansereye (1551): Bergerette 'Sans Roch'/Reprise | Tylman Susato, New London Consort, Philip Pickett | C Major | 4 | 8B | 168 BPM | ||
Suite in G Major: II. Allemande | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 58 BPM | ||
Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
Terpsichore*: Ballet du Roy | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 1 | 6A | 98 BPM | ||
Lute music - Italy: Ricercar XIII | Vincenzo Capirola, Konrad Ragossnig | B♭ Major | 0 | 6B | 86 BPM | ||
Echo la primavera | Francesco Landini, Anonymous 4 | F Major | 0 | 7B | 85 BPM | ||
Danza alta, sobre "la Spagna" | Francesco de la Torre, Atrium Musicae de Madrid, Gregorio Paniagua | A Minor | 2 | 8A | 102 BPM | ||
Fronimo: Ricercare del primo tuono | Vincenzo Galilei, Andrea Damiani | C Major | 2 | 8B | 129 BPM |
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