"Le carnaval des animaux: XIV. Finale" by Anonymous, Camille Saint-Saëns, Ferhan Önder, Ferzan Önder, Zurich Chamber Orchestra, Howard Griffiths was released on July 1, 2014. With Le carnaval des animaux: XIV. Finale being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Saint-Saens: Le carnival des animaux (For 2 Pianos)". In this album, this song's track order is #14. In terms of popularity, Le carnaval des animaux: XIV. Finale is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le carnaval des animaux: XIV. Finale by Anonymous, Camille Saint-Saëns, Ferhan Önder, Ferzan Önder, Zurich Chamber Orchestra, Howard Griffiths having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Notre-Dame: VIII. Préface. Vere dignum et justum est | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F Major | 3 | 7B | 137 BPM | ||
Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM | ||
Dominus vobiscum ... Deus, qui populo tuo | Gregorian Chant, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | G Major | 1 | 9B | 130 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | ||
To Thee We Sing | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
Troparion for Holy Wednesday | Kassia, Cappella Romana, members, Alexander Lingas | C Major | 1 | 8B | 137 BPM | ||
Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 79 BPM | ||
The Hymn for the Day | The Choir of the Dormition Church of the Novodevichy Convent | D♭ Major | 3 | 3B | 0 BPM | ||
Tempo Della Chiesa. Graduale: Ecce Quam Bonum | Canonici Regolari Di Sant'Antimo | A Minor | 0 | 8A | 138 BPM |
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