"Siegfried / Erster Aufzug: "Verfluchtes Licht"" by Richard Wagner, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. With Siegfried / Erster Aufzug: "Verfluchtes Licht" being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. The popularity of Siegfried / Erster Aufzug: "Verfluchtes Licht" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Siegfried / Erster Aufzug: "Verfluchtes Licht" by Richard Wagner, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Florence, Op. 70 TH 118: IV. Allegro vivace | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F♯ Minor | 1 | 11A | 170 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Wagner: Tristan und Isolde, Act 2: "Einsam wachend in der Nacht" (Brangäne) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek | F♯ Major | 1 | 2B | 89 BPM | ||
Prince Igor (Knyaz Igor): Act III: Polovtsian March | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A♭ Major | 3 | 4B | 128 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13 - English version: Finale: "Though this house give glimm'ring light" | Felix Mendelssohn, Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | E Major | 1 | 12B | 79 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1, Introduction | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Rundfunkchor Berlin | D Minor | 2 | 7A | 72 BPM |
Section: 0.8930752277374268
End: 0.8994588851928711