Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend's 'Oboe Concerto No. 4 in B-Flat Major: II. Adagio' came out on January 1, 2006. With this song being about 5 minutes long, at 5:06, "Oboe Concerto No. 4 in B-Flat Major: II. Adagio" by Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ludwig August Lebrun, Bart Schneemann, Jan Willem de Vriend, Radio Chamber Orchestra's "L.A. Lebrun: Oboe Concertos" album is number 5 out of 9. On top of that, Netherlands appears to be the country where this track was created. Oboe Concerto No. 4 in B-Flat Major: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto No. 4 in B-Flat Major: II. Adagio by Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thétis et Pelée: Ouverture | Jean-Benjamin de La Borde, Reinoud Van Mechelen, A Nocte Temporis | E Major | 2 | 12B | 134 BPM | ||
Fantasia dalla Svizzera: "Jodeln" Svizzero, Op. 23: VII. Variazione V Presto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | C Major | 3 | 8B | 106 BPM | ||
Sextet in E-Flat Major, Op. 81b: I. Allegro con brio | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 0 | 5B | 131 BPM | ||
Violin Concerto in D Major, Op. 2 No. 2: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Major | 1 | 10B | 126 BPM | ||
Flute Trio No. 1 in C Major, Hob. IV:1: II. Andante | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 131 BPM | ||
Concerto for Oboe and Orchestra No. 2 in G Minor: II. Adagio | Ludwig August Lebrun, Albrecht Mayer, Kammerakademie Potsdam | B♭ Major | 0 | 6B | 135 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: III. Menuetto: Allegretto | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Minor | 1 | 6A | 149 BPM | ||
Piano Sonata No. 17 in B-Flat Major, K. 570 (arr. P. Gallois for flute and piano): III. Allegretto | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 1 | 6B | 134 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 1 in D minor, BWV 1063: 2. Alla siciliana | Johann Sebastian Bach, Christoph Eschenbach, Gerhard Oppitz, Justus Frantz, Hamburger Philharmoniker | A Major | 2 | 11B | 98 BPM | ||
Phantasie über Mozart's "Là ci darem la mano" | Franz Danzi, Martin Fröst, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 67 BPM |
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