- BPM
- 134
- Key
- G Minor
- Camelot
- 6A
American Salute - Morton Gould, Boston Pops Orchestra, John Williams Information
- Acousticness
- 85%
- Danceability
- 33%
- Energy
- 22%
- Instrumentalness
- 78%
- Liveness
- 41%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 34%
- Popularity
- 5%
- Loudness
- -22.111 dB
Summary
Morton Gould, Boston Pops Orchestra, John Williams's 'American Salute' came out on January 1, 1985. With this song being about 5 minutes long, at 4:30, "American Salute" by Morton Gould, Boston Pops Orchestra, John Williams is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 10 in America, The Dream Goes On by Boston Pops Orchestra, John Williams. Based on our statistics, American Salute's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
American Salute BPM
The tempo marking of American Salute by Morton Gould, Boston Pops Orchestra, John Williams is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
American Salute Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | |
 | Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | |
 | The Red Pony Suite: IV. Walk To The Bunkhouse | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 0 | 7B | 75 BPM | |
 | Satiric Dances: I. Allegro pesante | Norman Dello Joio, Rutgers Wind Ensemble, William Berz | A Minor | 2 | 8A | 115 BPM | |
 | Westminster Waltz | Robert Farnon, Vernon Handley, BBC Concert Orchestra, Martin Loveday | D Major | 1 | 10B | 174 BPM | |
 | English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | |
 | Solo de concours, Op. 10 | Henri Rabaud, Michael Collins, Michael McHale | F Major | 0 | 7B | 83 BPM | |
 | I Wish I was in Dixie's Land (arr. M. Gould for wind ensemble) | Morton Gould, Daniel Decatur Emmett, United States Marine Band, Michael J. Colburn | B♭ Major | 3 | 6B | 145 BPM | |
 | Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | D♭ Major | 3 | 3B | 110 BPM | |
 | Courtly Airs and Dances: IV. Saltarello | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 1 | 6B | 118 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8523726463317871
End: 0.8560974597930908