On January 30, 2012, the song "Explosionen-Polka Op. 43" was released by Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester. The duration of Explosionen-Polka Op. 43 is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Explosionen-Polka Op. 43's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Strauss II: Champagner Polka - Die schönsten Polkas / Best Loved Polkas". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Explosionen-Polka Op. 43's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Explosionen-Polka Op. 43 by Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, Johann II : Annen-Polka Op.117 | Johann Strauss II, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 163 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Die Fledermaus / Act 1: Nr.3 Duett: "Komm mit mir zum Souper" | Johann Strauss II, Bernd Weikl, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 120 BPM | ||
Orpheus-Quadrille, Op. 236 | Johann Strauss II, Georges Prêtre, Wiener Philharmoniker | G Major | 6 | 9B | 109 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
Fruhlingsstimmen (Voices of Spring), Op. 410 | Johann Strauss II, Hungarian State Orchestra, Janos Ferencsik | C Minor | 1 | 5A | 185 BPM |
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