"Adiós Granada Mía" by Miguel Fleta was released on February 17, 2015. The duration of Adiós Granada Mía is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Adiós Granada Mía's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Romanzas y Canciones". In this album, this song's track order is #10. The popularity of Adiós Granada Mía is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adiós Granada Mía by Miguel Fleta having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henchido de amor santo (Las Dolores) | Tomás Bretón, Miguel Fleta | A Major | 3 | 11B | 111 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Per te d'immenso giubilo ... Per poco fra la tenebre" (Chorus, Arturo) | Gaetano Donizetti, Valiano Natali, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Cavalleria rusticana: Mamma, quel vino è generoso (Addio alla madre) | Pietro Mascagni, Magdalena Łukawska, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E♭ Major | 2 | 5B | 79 BPM | ||
Dúo de Maruxa y Pablo, Pt. 2 | Ofelia Nieto, Carlos Galeffi | A Major | 5 | 11B | 113 BPM | ||
Las Golondrinas: "Canción de Lina" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM | ||
La Marsellesa | Miguel Fleta | F Major | 4 | 7B | 110 BPM | ||
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
Aïda: Se quel guerrier io fossi...Celeste Aida (Recorded 1927) | Giuseppe Verdi, Miguel Fleta, Maestro Gelabert | B♭ Major | 1 | 6B | 88 BPM | ||
Y Detrás de Ti Besé / Yo Conozco a una Mocita | José Oto, Rondalla | C Major | 4 | 8B | 93 BPM |
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