Niccolò Paganini, Steven Staryk made "24 Caprices for Solo Violin, Op. 1, MS 25: No. 5 in A Minor - No. 9 in E Major (WQXR Broadcast Review)" available on March 2, 2018. Since 24 Caprices for Solo Violin, Op. 1, MS 25: No. 5 in A Minor - No. 9 in E Major (WQXR Broadcast Review) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 35 in A Retrospective, Vol. 11: Every Violinist's Guide by Steven Staryk. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, 24 Caprices for Solo Violin, Op. 1, MS 25: No. 5 in A Minor - No. 9 in E Major (WQXR Broadcast Review)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 24 Caprices for Solo Violin, Op. 1, MS 25: No. 5 in A Minor - No. 9 in E Major (WQXR Broadcast Review) by Niccolò Paganini, Steven Staryk is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Caprice No. 17 | Niccolò Paganini, Yo-Yo Ma, Patricia Zander | E♭ Major | 0 | 5B | 114 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 4 in C Minor | Niccolò Paganini, Itzhak Perlman | A♭ Major | 2 | 4B | 95 BPM | ||
Paganini Sonata In A Major, Op. Posth: Nicolo Paganini | Mela Tenenbaum | A Major | 1 | 11B | 175 BPM |
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