Baldassare Galuppi, Arturo Benedetti Michelangeli made "Sonata No. 5 in C Major: 1. Andante" available on May 14, 1965. Since Sonata No. 5 in C Major: 1. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "The Art of Arturo Benedetti Michelangeli - Beethoven: Piano Sonata No. 32 / Galuppi: Sonata No. 5 / Scarlatti: Sonatas, K 11, 159 & 322". In this album, this song's track order is #3. The popularity of Sonata No. 5 in C Major: 1. Andante is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sonata No. 5 in C Major: 1. Andante by Baldassare Galuppi, Arturo Benedetti Michelangeli having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Concerto primo in G Major: II. Andante | Baldassare Galuppi, Ensemble StilModerno | G Minor | 0 | 6A | 125 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Esa-Pekka Salonen | G Minor | 1 | 6A | 137 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
Serenata andaluza | Manuel de Falla, Javier Perianes | D Minor | 1 | 7A | 63 BPM | ||
Silence | Thomas Enhco, Vassilena Serafimova | E♭ Major | 0 | 5B | 81 BPM | ||
Carnaval, Op. 9: XVIII. Promenade | Robert Schumann, Arturo Benedetti Michelangeli | B♭ Major | 2 | 6B | 90 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 0 | 5A | 82 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: III. Allegro | Antonio Vivaldi, Avi Avital, Alon Sariel, Venice Baroque Orchestra | E Minor | 1 | 9A | 109 BPM |
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