"Children's Corner, L. 113 - Orch. Caplet: Golliwogg's Cake-Walk" by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit was released on June 7, 2022. The duration of Children's Corner, L. 113 - Orch. Caplet: Golliwogg's Cake-Walk is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Children's Corner, L. 113 - Orch. Caplet: Golliwogg's Cake-Walk's duration is considered a little bit shorter than the average duration of a typical track. The song is number 162 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Children's Corner, L. 113 - Orch. Caplet: Golliwogg's Cake-Walk is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Children's Corner, L. 113 - Orch. Caplet: Golliwogg's Cake-Walk by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM |
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