- BPM
- 79
- Key
- D♭ Minor
- Camelot
- 12A
Sonata in re: III. Allegro - Giuseppe Torelli, Musica Antiqua Latina Information
- Acousticness
- 88%
- Danceability
- 32%
- Energy
- 22%
- Instrumentalness
- 2%
- Liveness
- 10%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 48%
- Popularity
- 7%
- Loudness
- -18.856 dB
Summary
Giuseppe Torelli, Musica Antiqua Latina made "Sonata in re: III. Allegro" available on April 22, 2016. With Sonata in re: III. Allegro being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 28 in Corelli Bolognese - Trio Sonatas by Corelli and his Successors by Musica Antiqua Latina. Sonata in re: III. Allegro is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Sonata in re: III. Allegro BPM
The tempo marking of Sonata in re: III. Allegro by Giuseppe Torelli, Musica Antiqua Latina is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Sonata in re: III. Allegro Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | |
 | Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | |
 | Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | |
 | Recorder Concerto in F Major: I. Allegro | Giovanni Battista Sammartini, Maurice Steger, Instrumentalensemble | B Minor | 1 | 10A | 78 BPM | |
 | Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | |
 | Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | |
 | Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | |
 | Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | |
 | Sinfonia Con due Trombe, (G. 21): II. Adagio e Staccato - Allegro staccato e Piano | Giuseppe Torelli, Thomas Hammes, Peter Leiner, European Chamber Soloists, Nicol Matt | B Major | 0 | 1B | 96 BPM | |
 | Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.708289623260498
End: 0.7142620086669922