"Concerto for Viola "Der Schwanendreher": I. Zwischen Berg und tiefem Tal" by Paul Hindemith, Antoine Tamestit was released on December 2, 2013. Since Concerto for Viola "Der Schwanendreher": I. Zwischen Berg und tiefem Tal is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 15 in Bratsche ! by Paul Hindemith, Antoine Tamestit. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Concerto for Viola "Der Schwanendreher": I. Zwischen Berg und tiefem Tal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Viola "Der Schwanendreher": I. Zwischen Berg und tiefem Tal by Paul Hindemith, Antoine Tamestit is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | F♯ Minor | 0 | 11A | 84 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Flute Sonata in D Major, Op. 94: II. Scherzo. Presto | Sergei Prokofiev, Sharon Bezaly, Vladimir Ashkenazy | A Major | 1 | 11B | 85 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
Kammermusik No.3, Op.36 No.2, for Cello and Chamber Orchestra: 2. Lebhaft und lustig | Paul Hindemith, Lynn Harrell, Concertgebouworkest, Riccardo Chailly, Leo Van Doeselaar | D♭ Major | 3 | 3B | 88 BPM | ||
Ibert: 3 Pièces brèves: III. Assez lent - Allegro Scherzando | Jacques Ibert, Les Vents Français, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | B Major | 1 | 1B | 78 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM |
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