"Prelude & Fugue in C Major, K. 394: I. Prelude" by Wolfgang Amadeus Mozart, Kun-Woo Paik was released on May 14, 2024. With this song being about 5 minutes long, at 4:36, "Prelude & Fugue in C Major, K. 394: I. Prelude" by Wolfgang Amadeus Mozart, Kun-Woo Paik is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Kun-Woo Paik's "MOZART: Piano Works 1" album is number 11 out of 12. On top of that, South Korea appears to be the country where this track was created. In terms of popularity, Prelude & Fugue in C Major, K. 394: I. Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude & Fugue in C Major, K. 394: I. Prelude by Wolfgang Amadeus Mozart, Kun-Woo Paik to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Minor, Op. 7: I. Allegretto | Nicholas E. Ballen, Haley Myles | G Minor | 0 | 6A | 141 BPM | ||
Intermezzo In E Flat Minor, Op. 118 No.6 | Johannes Brahms, Kun-Woo Paik | D♭ Minor | 0 | 12A | 58 BPM | ||
Sonata in A Major, K 322: Allegro | Domenico Scarlatti, Igor Kamenz | A Major | 2 | 11B | 153 BPM | ||
Etudes, Op. 52: No. 6, Etude en Forme De Valse - Due-Art 6372 | Camille Saint-Saëns, Peter Phillips, Alfred Cortot | D♭ Major | 3 | 3B | 74 BPM | ||
9 Preludes, Op. 103: No. 2 in C-Sharp Minor | Gabriel Fauré, Kathryn Stott | D♭ Minor | 1 | 12A | 65 BPM | ||
25-13 なぐさめ | 杉元 太 | D Major | 3 | 10B | 90 BPM | ||
Piano Trio No. 43, Op. 86, Hob. XV: 27 No. 1: Piano Trio No. 43, Op. 86, Hob. XV: 27 No. 1: III. Finale | Joseph Haydn, Trio Gaspard | E♭ Major | 1 | 5B | 142 BPM | ||
Etude Op. 136 Nr. 20 | Carl Albert Loeschhorn, José Manuel Ortega Caballo | E Minor | 2 | 9A | 175 BPM | ||
Goldberg Variations, BWV 988 (Arr. for 2 Pianos by Joseph Gabriel Rheinberger): Var. 14 | Johann Sebastian Bach, Elena Valentini, Matteo Liva | G Major | 0 | 9B | 118 BPM | ||
Arioso with 9 Variations in C Major, H. 259: Var. 5 | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM |
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