"Muß nicht der Mensch immer in Streit sein, TWV 1:1146: I. Muß nicht der Mensch immer in Streit sein" by Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch was released on January 14, 2022. The duration of Muß nicht der Mensch immer in Streit sein, TWV 1:1146: I. Muß nicht der Mensch immer in Streit sein is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Muß nicht der Mensch immer in Streit sein, TWV 1:1146: I. Muß nicht der Mensch immer in Streit sein's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Muß nicht der Mensch immer in Streit sein, TWV 1:1146: I. Muß nicht der Mensch immer in Streit sein is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Muß nicht der Mensch immer in Streit sein, TWV 1:1146: I. Muß nicht der Mensch immer in Streit sein by Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partie 5 en si bémol majeur: Saraband | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 1 | 11B | 92 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin | D♭ Major | 3 | 3B | 100 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Suite a-moll TWV55:a2: Suite a-moll TWV55:a2: Ouverture | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | A♭ Minor | 2 | 1A | 97 BPM |
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