"Jesu meine Freude, TWV 1:966: II. Ach wie lang, ach lange" by Georg Philipp Telemann, Elisabeth Scholl, Neumeyer Consort, Felix Koch was released on January 14, 2022. The duration of Jesu meine Freude, TWV 1:966: II. Ach wie lang, ach lange is about 3 minutes long, at 3:23. Based on our data, "Jesu meine Freude, TWV 1:966: II. Ach wie lang, ach lange" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 64 in Französischer Jahrgang, Vol. 1 by Georg Philipp Telemann, Neumeyer Consort, Felix Koch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Jesu meine Freude, TWV 1:966: II. Ach wie lang, ach lange is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jesu meine Freude, TWV 1:966: II. Ach wie lang, ach lange by Georg Philipp Telemann, Elisabeth Scholl, Neumeyer Consort, Felix Koch is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 1. Intrada | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | A Major | 2 | 11B | 109 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Concerto for 2 Violins, 2 Cellos, Strings and Continuo in G, R.575: 3. Allegro | Antonio Vivaldi, Peter Hanson, Walter Reiter, Jane Coe, David Watkin, The English Concert, Trevor Pinnock | C Major | 2 | 8B | 119 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 5 | 7A | 103 BPM | ||
Concerto in D Minor: I. Andante e spiccato | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 1 | 7A | 180 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM |
Section: 0.6426682472229004
End: 0.6460223197937012