1 | | Quintet No. 2: Written Improvisation (For Pierrot Quintet) | Pouyan Farzin, Yalda Ehsani, Danial Jourabchi, Salar Ghaffarbejouyi, Shadi Shayegani, Amin Sharifi | C Major | 8B | 136 |
2 | | Sketch for Acappella (For Vocal Quartet) | Dora Garcidueñas, María José, Tom Smith, Samuel Penderbayne | B♭ Minor | 3A | 77 |
3 | | Monologue for the Loneliness of the Composer No. 2 (For Solo Flute) | Kelariz Keshavarz | A♭ Major | 4B | 63 |
4 | | Quintet No. 1: Lamentoso (For Pierrot Quintet) | Pouyan Farzin, Yalda Ehsani, Danial Jourabchi, Salar Ghaffarbejouyi, Shadi Shayegani, Amin Sharifi | F♯ Minor | 11A | 116 |
5 | | Persian Quartet (For Santoor, Tar, Oud, Kamancheh) | Iman Mohammad Ghasem, Saina Zamanian, Shahriar Jafari, Matin Ahangari, Amin Sharifi | E Major | 12B | 102 |
6 | | Why Should Be Like This? (For Flute, Clarinet, Viola) | Pouyan Farzin, Yalda Ehsani, Danial Jourabchi | C Minor | 5A | 74 |
7 | | Eastern Crossroad (For Solo Flute) | Hossein Ebadollahi | C Minor | 5A | 74 |
8 | | Enigma (For Flute Trio) | Hossein Ebadollahi, Bahram Arshad Rad, Mahsima Fallahi | C Minor | 5A | 74 |
9 | | Monologue for the Loneliness of the Composer No. 1 (For Solo Clarinet) | Yalda Ehsani | C Minor | 5A | 74 |