1 | | Willkommen | Alan Cumming, Cabaret Ensemble (1998) | F Major | 7B | 92 |
2 | | So What? | Mary Louise Wilson | D♭ Major | 3B | 110 |
3 | | Don't Tell Mama | Natasha Richardson, Alan Cumming, Cabaret Ensemble (1998) | A Major | 11B | 116 |
4 | | Mein Herr | Natasha Richardson, Alan Cumming, Cabaret Ensemble (1998) | F♯ Major | 2B | 80 |
5 | | Perfectly Marvelous | Natasha Richardson, John Benjamin Hickey | E Minor | 9A | 93 |
6 | | Two Ladies | Erin Hill, Michael O'Donnell, Alan Cumming | A♭ Major | 4B | 206 |
7 | | It Couldn't Please Me More | Mary Louise Wilson, Ron Rifkin | E♭ Major | 5B | 81 |
8 | | Tomorrow Belongs to Me | Alex Bowen, Alan Cumming | G Major | 9B | 84 |
9 | | Maybe This Time | Natasha Richardson | G Major | 9B | 83 |
10 | | Money | Alan Cumming, Cabaret Ensemble (1998) | A♭ Major | 4B | 100 |
11 | | Married | Ron Rifkin, Michele Pawk, Mary Louise Wilson | A♭ Major | 4B | 72 |
12 | | Tomorrow Belongs to Me (Reprise) | Michele Pawk, Denis O'Hare, Cabaret Ensemble (1998) | B♭ Major | 6B | 111 |
13 | | Entr'acte | Cabaret Orchestra (1998), Patrick Vaccariello | G Minor | 6A | 116 |
14 | | Married (Reprise) | Ron Rifkin, Mary Louise Wilson | F Major | 7B | 82 |
15 | | If You Could See Her | Alan Cumming, Joyce Chittick | F♯ Major | 2B | 143 |
16 | | What Would You Do? | Mary Louise Wilson, John Benjamin Hickey | A♭ Minor | 1A | 111 |
17 | | I Don't Care Much | Alan Cumming | G Minor | 6A | 126 |
18 | | Cabaret | Natasha Richardson, Alan Cumming | A Major | 11B | 121 |
19 | | Finale | John Benjamin Hickey, Alan Cumming | G Minor | 6A | 84 |