Combattimento Consort Amsterdam, Jan Willem de Vriend made "Suite from King Arthur - Overture" available on September 21, 2000. The duration of Suite from King Arthur - Overture is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Suite from King Arthur - Overture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Combattimento Consort Amsterdam's "Music Works by Purcell, Schmelzer, Biber and J.S.Bach" album is number 1 out of 18. On top of that, Japan appears to be the country where this track was created. Based on our statistics, Suite from King Arthur - Overture's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite from King Arthur - Overture by Combattimento Consort Amsterdam, Jan Willem de Vriend to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto No. 2 in E-Flat Major: I. Allegro ma moderatamente | Johann Wilhelm Hertel, Czech Philharmonic Chamber Orchestra, Petr Skvor, Miroslav Kejmar | E♭ Major | 1 | 5B | 117 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Concerto grosso op. 6 no. 3 in e minor HWV 321: III. Allegro | George Frideric Handel, Combattimento Consort Amsterdam, Jan Willem de Vriend | D Minor | 2 | 7A | 125 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Concerto grosso op. 6 no. 1 in G major HWV 319: V. Allegro | George Frideric Handel, Combattimento Consort Amsterdam, Jan Willem de Vriend | E Minor | 2 | 9A | 121 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 3rd movement: Adagio | Francesco Geminiani, Bell'Arte Antiqua | B Minor | 1 | 10A | 113 BPM | ||
Concerto in A Major for Cello, Strings, and Continuo, GT 1.A28: I. Allegro | Giuseppe Tartini, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM |
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