Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury's 'Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer)' came out on June 27, 1994. The duration of Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer) is about 3 minutes long, at 3:04. Based on our data, "Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Julian Lloyd Webber Collection". In this album, this song's track order is #13. Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Herz und Mund und Tat und Leben, Cantata BWV 147: Choral: "Jesus bleibet meine Freude" (Arr. Palmer) by Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
How Far I'll Go - From "Moana" | Royal Philharmonic Orchestra | E Major | 3 | 12B | 84 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Carmina Burana / 1. Primo vere: "Veris leta facies" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | A Minor | 0 | 8A | 55 BPM | ||
Two Sisters | Nigel Hess, Royal Philharmonic Orchestra | F Major | 0 | 7B | 65 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
Clarinet Concerto in A Major, K.622: Clarinet Concerto in A Major, K.622: II. Adagio | Wolfgang Amadeus Mozart, Joy Farrall, Britten Sinfonia, Nicholas Cleobury | D Major | 0 | 10B | 131 BPM | ||
Chamber Concerto in F Major, TWV 54:F1: Chamber Concerto in F Major, TWV 54:F1: I. Vivace | Georg Philipp Telemann, Tempesta Di Mare | E Major | 4 | 12B | 163 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Renato Cellini | F Major | 2 | 7B | 75 BPM | ||
Concerto in G Minor: I. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 94 BPM | ||
Morgenstemning | Edvard Grieg, Royal Philharmonic Orchestra, Per Dreier | E Major | 0 | 12B | 100 BPM |
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