"L'elisir d'amore, Act II, Scene 8: "Una furtiva lagrima" (Nemorino)" by Gaetano Donizetti, Luciano Pavarotti, Kurt Adler, London Philharmonic Orchestra was released on February 3, 2015. With this song being about 5 minutes long, at 5:03, "L'elisir d'amore, Act II, Scene 8: "Una furtiva lagrima" (Nemorino)" by Gaetano Donizetti, Luciano Pavarotti, Kurt Adler, London Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Une histoire d'amour avec le Québec". In this album, this song's track order is #3. L'elisir d'amore, Act II, Scene 8: "Una furtiva lagrima" (Nemorino) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'elisir d'amore, Act II, Scene 8: "Una furtiva lagrima" (Nemorino) by Gaetano Donizetti, Luciano Pavarotti, Kurt Adler, London Philharmonic Orchestra having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 12: No. 17, Aria. "Un'aura amorosa del nostro tesoro" (Ferrando) | Wolfgang Amadeus Mozart, Alfredo Kraus, Heinrich Schmidt, Karl Böhm, Philharmonia Orchestra | A Major | 1 | 11B | 91 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
L'elisir d'amore, Act II: "Una furtiva lagrima" | Gaetano Donizetti, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | G Major | 6 | 9B | 80 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Eccola! Oh, giusto cielo!... Il dolce suono" (Raimondo, Chorus, Lucia) | Gaetano Donizetti, Jesús López-Cobos, Diana Damrau, Münchener Opernchor, Münchener Opernorchester, Nicolas Teste | F Minor | 0 | 4A | 166 BPM | ||
L'elisir d'amore / Act 1: "Andiam, Belcore" | Gaetano Donizetti, Dawn Upshaw, Kathleen Battle, Luciano Pavarotti, Leo Nucci, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E♭ Major | 5 | 5B | 99 BPM |
Section: 0.7860219478607178
End: 0.789466142654419