Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations made "Les Indes Galantes - Suites des airs à Jouer (Sinfonies): IV. Air pour les Esclaves Africains" available on June 28, 2010. With Les Indes Galantes - Suites des airs à Jouer (Sinfonies): IV. Air pour les Esclaves Africains being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jordi Savall's "Le Concert Spirituel au temps de Louis XV" album is number 28 out of 31. Les Indes Galantes - Suites des airs à Jouer (Sinfonies): IV. Air pour les Esclaves Africains is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Les Indes Galantes - Suites des airs à Jouer (Sinfonies): IV. Air pour les Esclaves Africains by Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: III. Allegro | Antonio Vivaldi, Il Giardino Armonico, Duilio Galfetti, Wolfgang Paul, Giovanni Antonini | D♭ Major | 3 | 3B | 162 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
Water Music - Suite #1 In F, HWV 348 - Menuet 1 | George Frideric Handel, Jordi Savall | D♭ Major | 5 | 3B | 160 BPM | ||
Water Music - Suite #2 In D, HWV 349 - Allegro | George Frideric Handel, Jordi Savall | D♭ Major | 5 | 3B | 160 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): I. Adagio e spiccato | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM |
Section: 0.6498837471008301
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