- BPM
- 123
- Key
- G Major
- Camelot
- 9B
Carmina Burana: Peter's March and Finale from Peter and the Wolf, Op. 67 - Excerpt - New York Philharmonic Information
- Acousticness
- 88%
- Danceability
- 51%
- Energy
- 25%
- Instrumentalness
- 85%
- Liveness
- 59%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 43%
- Popularity
- 1%
- Loudness
- -14.078 dB
Summary
New York Philharmonic made "Carmina Burana: Peter's March and Finale from Peter and the Wolf, Op. 67 - Excerpt" available on 1991. The duration of Carmina Burana: Peter's March and Finale from Peter and the Wolf, Op. 67 - Excerpt is about 3 minutes long, at 3:16. Based on our data, "Carmina Burana: Peter's March and Finale from Peter and the Wolf, Op. 67 - Excerpt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Rendezvous der Sinne Vol. 1". In this album, this song's track order is #6. Based on our statistics, Carmina Burana: Peter's March and Finale from Peter and the Wolf, Op. 67 - Excerpt's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Carmina Burana: Peter's March and Finale from Peter and the Wolf, Op. 67 - Excerpt BPM
With Carmina Burana: Peter's March and Finale from Peter and the Wolf, Op. 67 - Excerpt by New York Philharmonic having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Carmina Burana: Peter's March and Finale from Peter and the Wolf, Op. 67 - Excerpt Key
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | |
 | Les Sylphides: 3. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 110 BPM | |
 | Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | |
 | Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM | |
 | The Firebird Suite (1919 Version): Lullaby - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 58 BPM | |
 | Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | |
 | Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | |
 | Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | |
 | Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8070774078369141
End: 0.8104336261749268