Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio - Johann Sebastian Bach, Jaime Laredo, Glenn Gould Information

Acousticness
99%
Danceability
19%
Energy
2%
Instrumentalness
49%
Liveness
10%
Loudness
54%
Speechiness
4%
Valence
14%
Popularity
Loudness
-27.498 dB

Summary

"Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio" by Johann Sebastian Bach, Jaime Laredo, Glenn Gould was released on 1974. Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Glenn Gould, George Frideric Handel, Glenn Gould, Paul Hindemith, Glenn Gould, Richard Strauss, Glenn Gould, Johann Sebastian Bach, Glenn Gould, Glenn Gould, Johann Sebastian Bach, Glenn Gould's "Glenn Gould Plays Bach, Vol. 7: Violin Sonatas, BWV 1014-1019 & Viola da gamba Sonatas, BWV 1027-1029" album is number 3 out of 36. On top of that, United States appears to be the country where this track was created. Based on our statistics, Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio BPM

We consider the tempo marking of Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio by Johann Sebastian Bach, Jaime Laredo, Glenn Gould to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Violin Sonata No. 5 in F Minor, BWV 1018: III. Adagio Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

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ISRC
USSM19922845
Label
L-M Records/RCA Records

Section: 0.8642346858978271

End: 0.8682138919830322