"Ja, es ward Abend (Madame Butterfly)" by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester, Walther Ludwig was released on August 7, 2006. Ja, es ward Abend (Madame Butterfly) appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "The Art of Maria Cebotari". In this album, this song's track order is #14. Ja, es ward Abend (Madame Butterfly) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ja, es ward Abend (Madame Butterfly) by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester, Walther Ludwig having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les 7 paroles du Christ: 2e Parole - "Hodie mecum eris in Paradiso" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Aimons-nous | Camille Saint-Saëns, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Die Fledermaus / Act 1: "Täubchen, das entflattert ist" | Johann Strauss II, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 65 BPM | ||
The Marriage of Figaro, K.492, Act IV: "Endlich naht sich die Stunde" | Maria Cebotari | F Major | 0 | 7B | 164 BPM | ||
Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce) | Luigi Cherubini, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 115 BPM | ||
La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Ah che dolce risveglio | Dario Pagano, Anastasia Malliaras, John Riesen, Eleonora Yun | B♭ Major | 2 | 6B | 82 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl | E Major | 1 | 12B | 72 BPM |
Section: 0.6589570045471191
End: 0.6636326313018799