"Sonata No. 3 in D Minor for Violin and Piano, Op. 108: II. Adagio" by Emmy Verhey, Youri Egorov was released on December 13, 2011. With this song being about 5 minutes long, at 4:37, "Sonata No. 3 in D Minor for Violin and Piano, Op. 108: II. Adagio" by Emmy Verhey, Youri Egorov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "The Best Romantic Era Violin Music". In this album, this song's track order is #15. Sonata No. 3 in D Minor for Violin and Piano, Op. 108: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata No. 3 in D Minor for Violin and Piano, Op. 108: II. Adagio by Emmy Verhey, Youri Egorov having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Má Vlast (My Fatherland): Vltava (The Moldau River) | London Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 94 BPM | ||
Sinfonie "The Arrival of the Queen of Sheba" from Solomon | George Frideric Handel, Victor Alexeyev, Collegium Musicum | D Minor | 2 | 7A | 157 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Romance for Violin & Orchestra No.2 F Major Op.50 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | F Major | 1 | 7B | 98 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Walzer, Nr. 14, E-Moll, op. posth. | Peter Schmalfuss | E Major | 1 | 12B | 88 BPM |
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