"Die Zirkusprinzessin - operetta in 3 Acts: Einleitung - Wieder hinaus ins strahlende Licht - Zwei Märchenaugen" by Emmerich Kálmán, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek was released on January 1, 1993. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emmerich Kálmán, Reinhold Bartel, Rita Bartos, Benno Kusche, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek's "Gräfin Mariza - Die Csárdásfürstin - Die Zirkusprinzessin" album is number 23 out of 32. Based on our statistics, Die Zirkusprinzessin - operetta in 3 Acts: Einleitung - Wieder hinaus ins strahlende Licht - Zwei Märchenaugen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zirkusprinzessin - operetta in 3 Acts: Einleitung - Wieder hinaus ins strahlende Licht - Zwei Märchenaugen by Emmerich Kálmán, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
My Fair Lady: Ascot Gavotte (Orchester) | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Friedrich Schoenfelder | G Major | 2 | 9B | 117 BPM | ||
Quadrille ohne Titel, Op. 248 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | B♭ Major | 2 | 6B | 87 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Kinder, schaut das Wunder an" [Father, Stepmother, Gingerbread Children, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 89 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
(Berlin) Vauxhall Polka (1867) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 2 | 10B | 95 BPM |
Section: 0.679401159286499
End: 0.6858334541320801