"Elevazione For Cello And Oboe" by Domenico Zipoli, Robert Haydon Clark, Consort of London was released on January 4, 2011. Since Elevazione For Cello And Oboe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 13 in Baroque Orchestral Music by Robert Haydon Clark, Consort of London. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Elevazione For Cello And Oboe is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elevazione For Cello And Oboe by Domenico Zipoli, Robert Haydon Clark, Consort of London is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Divertimento in B Flat Major, K137, "Salzburg Symphonies": I. Andante | Wolfgang Amadeus Mozart, Robert Haydon Clark, Consort of London | B♭ Major | 0 | 6B | 80 BPM | ||
Als die alte Mutter mich noch lehrte singen, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Charlie Siem, Paul Goodwin | B♭ Major | 1 | 6B | 107 BPM | ||
Concerto For Piano And Orchestra No. 2 In F Minor, Op. 21 (Arr. By Mikhail Pletnev): 2. Larghetto | Frédéric Chopin, Daniil Trifonov, Mahler Chamber Orchestra, Mikhail Pletnev | A♭ Major | 0 | 4B | 76 BPM | ||
Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM | ||
Gianni Schicchi: O mio babbino caro (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 0 | 4B | 65 BPM | ||
Concerto in E-Flat Major, Op. 1: II. Adagio | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | A♭ Major | 0 | 4B | 133 BPM | ||
Suite Lyrique: 6. Rondeau | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 2 | 8A | 135 BPM | ||
String Quartet No. 2 in D: Nocturne | Alexander Borodin, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 77 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto) | Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 169 BPM |
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