"Molly's Song 3 "Shades of Crimson"" by Stefan Asbury, Ensemble Musikfabrik was released on November 1, 1995. Since Molly's Song 3 "Shades of Crimson" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Rebecca Saunders: Quartet, Into the Blue, Molly's Song 3 & Dichroic Seventeen". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Austria. Based on our statistics, Molly's Song 3 "Shades of Crimson"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Molly's Song 3 "Shades of Crimson" by Stefan Asbury, Ensemble Musikfabrik having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
For Bunita Marcus (1985): page 7 | Morton Feldman, Marc-André Hamelin | C Minor | 0 | 5A | 110 BPM | ||
String Quartet No. 1: Part I | Philip Glass, Carducci String Quartet | F♯ Major | 0 | 2B | 81 BPM | ||
Phantom Waltz | Meredith Monk, Bruce Brubaker, Ursula Oppens | C Major | 0 | 8B | 120 BPM | ||
Aus tiefer Not schrei ich zu dir, BWV 687 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | B Minor | 0 | 10A | 79 BPM | ||
The Seasons: 1. Prelude I | John Cage, Herbert Henck | C Major | 0 | 8B | 116 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Romance | Toru Takemitsu, Kotaro Fukuma | G Minor | 0 | 6A | 164 BPM | ||
Drowning by Numbers: Sheep ‘N’ Tides | Michael Nyman, Valentina Lisitsa | E♭ Major | 1 | 5B | 69 BPM | ||
Cadenza on the Night Plain: Introduction | Terry Riley, Kronos Quartet | D Major | 0 | 10B | 90 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte V: Une chambre dans le château | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 126 BPM |
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