"J. S. Bach: Matthäus-Passion/Erster Teil/Blute nur, du liebes Herz (Arie)" by Gewandhausorchester Leipzig, Adele Stolte, Rudolf Mauersberger was released on 1975. With this song being about 5 minutes long, at 4:44, "J. S. Bach: Matthäus-Passion/Erster Teil/Blute nur, du liebes Herz (Arie)" by Gewandhausorchester Leipzig, Adele Stolte, Rudolf Mauersberger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 8 out of 68. The popularity of J. S. Bach: Matthäus-Passion/Erster Teil/Blute nur, du liebes Herz (Arie) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of J. S. Bach: Matthäus-Passion/Erster Teil/Blute nur, du liebes Herz (Arie) by Gewandhausorchester Leipzig, Adele Stolte, Rudolf Mauersberger to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 1 | 10B | 91 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Violin Sonata No. 1 in G Minor, BWV 1001: III. Siciliana | Johann Sebastian Bach, Anaïs Chen | D♭ Minor | 3 | 12A | 104 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM |
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